Delta Sources and Resources
Of Salt and Spirit: Black Quilters in the American South (traveling art exhibition) Mississippi Museum of Art Jackson, Mississippi by Marcus Charles Tribbett
Originally staged at the Mississippi Museum of Art in Jackson, Tennessee, from mid-No- vember of 2024 to mid-May of 2025, the Of Salt and Spirit: Black Quilters in the American South ex- hibit was recently on display at the Brooks Mu- seum of Art in Memphis through the beginning of January 2026. Curated at the Mississippi Mu- seum of Art by Sharbreon Plummer, PhD (and by Kristin Pedrozo at the Brooks Museum), the exhibit features a variety of quilts from the per- manent collection of the museum. According to the MMA’s website the exhibition seeks “to illu- minate the processes and practices of Black Southern quilters and demystify cultural narra- tives assigned to their artistry while celebrating the enduring impact of quilting on communities and generations” (www.msmuseumart.org/ exhibition/of-salt-spirit/) Included among the works in the exhibition are many collected by the late Roland L. Freeman (1936-2023), photographer, author, quiltmaker, and former director of the Mississippi Folklife Project. Freeman spent decades studying the Black Quilting Tradition in the American South, gathering quilts for his collection (dozens of which were donated to the MMA) and producing two books along the way: Something to Keep You Warm: The Roland Freeman Collection of Black American Quilts from the Mississippi Heartland (1979) and A Communion of the Spirits: African American Quilters, Preservers, and Their Stories
(1996).
Arkansas Review editorial board member and long time contributor Professor Gregory Hansen (Folklore and Heritage Studies) paid a visit to the Brooks Museum to witness the exhibition first hand while it was on display. “I’ve been inter- ested in Black quilting traditions for quite some time, and Roland Freeman’s book, Communion of the Spirits, is such a rich documentation and presentation of the artistry,” Hansen notes. “There’s an Arkansas connection,” too, he points out, “as Roland was able to interview Maya Ange- lou and document her quilting.” In years to come, with the quilts perma- nently housed by the MMA, admirers of this ex- quisite cultural and artistic tradition will continue to have opportunities to experience its intricacy and beauty for themselves. “I was won- dering what might have happened to his collec- tion of quilts after his passing,” Professor Hansen says. “It’s great to see that they’re cared for and that exhibitions have been developed from them.” As Arkansas Review goes to press, the next site for the Of Salt and Spirit exhibition has not been announced, but interested readers should keep an eye on the Mississippi Museum of Art’s web- site to find out where it travels to next. As well, Hansen’s review of the new book of the same title that coincides with the exhibition (edited by its curator Dr. Sharbreon Plummer) provides more context for understanding both the artwork and Freeman’s lifelong dedication to it. It appears on the following pages.